大家应该都知道一篇读后感是在读完书的基础上写成的，撰写一篇读后感能够加深同学们对名著知识的理解，推荐范文网小编今天就为您带来了127英语读后感优秀5篇，相信一定会对你有所帮助。
127英语读后感篇1
this winter vacation,i read agreat book《bookworm》.in gread 1,i appreciate the beauty of the moon,and,i know mary,queen of soctss story……in a word,ibenefited a lot of in really like this book.
among them,my favourite book is《love or money》.it tells a rich women death is suspect,and they greeted her moneys mouth little daughter threatens her,to obtain money;on the surface seems to love her big daughter to reasons but hater mother;her son to a piece of land and mother fell out……
results a murderer is her big daughter!reason have
to her the person i love !
i was very girl,actually killed her mother,is really too not filial know people for a variety of reasons will kill your most ,we should control oneself,avoid incentive,not reckless things……
the《book worm》 has taught me a lot.
127英语读后感篇2
在曼恰，有一位贵族，他整天做着关于成为骑士的白日梦。当他被荒诞的骑士小说彻底俘虏后，终于丧尽理智，精神失常，擦净了他的甲胄，花了八天给自己起一个响亮的名字：堂吉诃德，骑上一匹瘦马罗西南多，开始了他的骑士征途。
一路上，唐吉诃德干了不少“英雄事迹”(起码他自己这样认为)。在一家客栈和脚夫们干了一架，店主被迫给他封了个骑士称号;在一个十字路口，和骡夫商人们干了一架，结果被打了个遍体鳞伤。回乡后，他又找了一个仆人，起名为桑丘，并和桑丘又一次开始了冒险。他把风车看成巨人，自以为很英勇的像风车杀去，除了长矛断成两截外，风车毫发无伤;他把羊群看做敌军，还策马扬鞭的刺杀了不少羊;他把送葬的神父当做夜游神，把苦役犯当做受害的骑士，把酒囊当做巨人头……一系列荒诞不经的故事。
当然，他们在一路上给别人带来不少麻烦，自己也吃尽了苦头。当堂吉诃德举起长矛时，没有人惧怕他，没有人会把他看做一个英雄，那些阴险的商人会从他的口袋里捞点钱，那些野蛮粗俗的财主顶多给他一刀。但堂吉诃德不是一个现实主义的人，他生活在自己塑造的精神乐园里，每回与别人决斗之前，都会说上一句“愿上帝保佑我”或是“请杜尔西内娅夫赐予我力量”之类的话。
堂吉诃德是无视社会现实的人的典型，他如同阿q一样，永远生活在自己的精神乐园，是由理想主义精神和浪漫主义精神构成的。再看看这些人的结局，唐吉诃德最后败归故里，直到寿终正寝前才翻然悔悟。
127英语读后感篇3
寒假中读了自己一直想读的一部作品，易卜生的戏剧《玩偶之家》。
?玩偶之家》中的女主人娜拉表面上是一个未经世故开凿的青年妇女，一贯被人唤作“小鸟儿”、“小松鼠儿”，实际上上她性格善良而坚强，为了丈夫和家庭不惜忍辱负重，甚至准备牺牲自己的名誉。她因挽救丈夫的生命，曾经瞒着他向人借了一笔债；同时想给垂危的父亲省却烦恼，又冒名签了一个字。就是由于这件合情合理的行为，资产阶级的"不讲理的法律"却逼得她走投无路。更令她痛心的是，真相大白之后，最需要丈夫和她同舟共济、承担危局的时刻，她却发现自己为之作出牺牲的丈夫竟是一个虚伪而卑劣的市侩之人。可当敲诈之人寄回借据后，丈夫又假装大度原谅她。这一刻，她终于觉醒过来，认识到自己婚前不过是父亲的玩偶，婚后不过是丈夫的玩偶，从来就没有独立的人格。于是，她毅然决然抛弃丈夫和孩子，从囚笼似的家庭出走了。
是啊，娜拉走了，离开了那个玩偶一般的家。话剧落幕了，可人们的思索并未停止。娜拉走后又该怎样呢？
无数的人思考着这个问题，讨论过这个问题。鲁迅先生在一篇文章中谈了他的想法。“但从事理上推想起来，娜拉或者也实在只有两条路：不是堕落，就是回来。因为如果是一匹小鸟，则笼子里固然不自由，而一出笼门，外面便又有鹰，有猫，以及别的什么东西之类；倘使已经关得麻痹了翅子，忘却了飞翔，也诚然是无路可以走。还有一条，就是饿死了，但饿死已经离开了生活，更无所谓问题，所以也不是什么路。”
127英语读后感篇4
the novel is rich in poetry, symbolism and metaphor. it does not fit easily into a definite pattern, being neither a novel of "manners" in the tradition of austen, or a straightforward gothic romance in the style of mrs radcliffe. what charlotte bronte did was to create a work which cleverly blends elements of the two styles, and which remains uniquely independent of them at the same time, since it addresses issues which were at the time rather controversial.
the novel is written in the first person, and thus magnifies the central character - the reader enters the world of jane eyre and is transported through her experiences at first hand. this at once makes the work subjective, especially since we know that charlottes brontes own life and experiences were so closely interwoven with the heroines. as well as this we learn only at the end of the novel that the events are being related to us ten years after the reconciliation with rochester - thus the narrative is retrospective (looking back). cb is clever in blending the narrative so that at times jane seems to be speaking as an adult with adult hindsight , while at others she she is "in the middle" of them, as a child or young woman. the indecision which is a central issue in the book, is heightened by this device. we never know, as readers, whether to be entirely trustful of janes actions and thoughts, because we are never sure wheher she is speaking impulsively or maturely.
this intensifies the readers dilemma as to what is "right" and "wrong" in the dramatic relationships which are part of jes life. can we believe what the heroine says, or is she deceiving herself? the novel is primarily a love story and a "romance" where wishes come true but only after trials and suffering. the supernatural has its place, as do dreams, portents and prophesies. the heroine begins poor and lonely and ends up rich and loved; the orphan finds a good family to replace the wicked one; all the basic ingredients of classic romantic fairytale are present.
the romantic element is present in two forms in jane eyre; the "family" aspect is dealt with in the gateshead, lowood and moor house episodes, which involve the exchanging of the wicked reed family for the benevolent rivers one; and the love romance is dealt with in the thornfield and ferndean episodes. both aspects are, of course linked and interwoven throughout the novel.
127英语读后感篇5
?简爱》19世纪文学的感觉,它以一种不可抗拒的美丽吸引了成千上万的读者,有一种抑制,驱使人拿起这本书,然后,心也深深感动的震颤。
这是一种新型的旋转色彩的19th世纪,是一个三姐妹”的著名作家夏洛蒂勃朗特。这本书是用自己的心和强大的精神追求赶一本书,内容包含作者情感和人格魅力无限,赢得了辉煌的女性的天空。
英雄简身材,相貌平凡,瘦没有钱,没有身份,但不是一个普通的气质和非常丰富的情感世界。在她的生命中,摒弃了农场出生的女性和迷人的逐步形成了强大和独立的个性。她不会再表哥在首领残酷,但也心甘情愿。即使结果令人满意,却常没有头部,在魔鬼喜欢寒冷的布洛克的赫斯特折磨,她不能显示任何的恐惧,而从容的带下去,独立坚强地生存。读《简爱》,我为她的青春和悲观生病治疗,同理心的经验,简,年轻的敏感的灵魂受伤。我也为简和垃圾场。喜欢她的位置比她所谓的绅士高面前表现出的那种这样的态度,喜欢她面对爱情,证明在自尊自强的精神,头脑不禁感叹的地方在距离她的进步的现代二百年,又有几个女人有勇气去他们的尊严,一位敬爱的有钱的男人说不?简!在她的身体时刻闪现着一个独立的'人格和崇高的光彩!
jane eyre -- once the advent of 19th century literature sensation, it with an irresistible beauty attracts thousands of readers, have a kind of uncontrollable urge, drives us to picked up the book, and then, the heart also deeply moved for the tremor.
this is a novel with rotation colorific 19th century, is one of the three sisters famous writer * charlotte bronte with. this is a book with their own hearts and strong spirit pursuit cast a book that contain the author infinite emotion and personality charm, won a brilliant for women of the sky.
hero jane figure, appearance is ordinary, skinny no money, no status, but had no ordinary temperament and very abundant emotion world. in her life through the, abandoned women born craven and charming gradually formed the strong and independent personality. she wouldn't be cousin brutal before the princes, but neither willingly. even if the outcome unsatisfactory, however constant no head, in the devil like cold brock's mr hirst tortured by, she can't show any fear, but leisurely carry down, independent strong to survive. read jane eyre, i for youth she by the ill treatment and pessimistic, empathy of experience with jane that young sensitive soul has hurt. i also for jane and dump. like her in high position than her so-called gentry in front performance of that kind of thus attitude, like her in the face of love that demonstrate the self-esteem of self-renewal in spirit, mind can't help exclamation in distance in place of her in the progress of modern two hundred years, again a few women have the courage to their dignity of a beloved and rich man say not? jane can! in her body moments flashed in an independent personality with lofty splendor!
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